The emotional enhancement of memory (EEM) describes the tendency for emotional information to be remembered better than non-emotional information (Barnacle et al., 2016; Kensinger & Corkin, 2004; T...

O livro visa apresentar o tema sob inovadoras formas - linguagem (textos científicos, literários, filosóficos e depoimentos), identidade visual (diálogo com as artes visuais), e a participação de renomados estudiosos em direitos humanos do Brasil e do exterior com formação em antropologia, direito, educação, filosofia, história, serviço social e sociologia. Os temas que constituem o livro são - sistema prisional no Brasil, exploração sexual de adolescentes, maternidade e prisão, Sistema Único de Saúde, direitos da criança e do adolescente, tráfico de (...) mulheres, migração internacional, população em situação de rua, dignidade, humanização, sustentabilidade, acesso à Justiça, liberalismo, mulheres na economia solidária, desigualdades raciais na educação e no mercado de trabalho, quilombos, racismo, desigualdade, diversidade, ética em direitos humanos, políticas públicas para travestis e transexuais, e defensores de direitos humanos. (shrink)

This paper analyzes creative practice including virtual music composition by a human and sets of computer programs, improvisation of music and dance in human-robot ensembles, and drawings produced by a human and a robotic arm. In all of these examples, the paper argues that creativity arises from a process of human-robot collaboration. Human influences on the machines involved exist at many levels, from initial creation and programming, via processes of reprogramming and setup of underlying data and parameters, to engagement throughout (...) the process of creative production. The decision to value a machine as a creative other is supported most strongly when collaborating with the machine directly, while witnessing the creative team at work, as opposed simply to seeing the result, is more likely to bring an audience to a similar understanding. The creativity of the human-machine collaborations analyzed in this paper relies on close interaction, within which there is a continual recognition of the otherness of the machine and its nonhuman abilities. Such relations can be theorized by extending Emmanuel Levinas’ conception of the face-to-face encounter within which self and other are brought into proximity, but the alterity of the other is nonetheless retained. The paper’s analysis of creative interactions between humans and robots supports the idea that machines need not be regarded as challenging human artistic practice, but rather enable new ways for creativity to arise through human-machine collaborations within which human and nonhuman creative abilities are combined. (shrink)

Situated in critiques of the “moral muteness” of technical rationality, we examine concepts of ethics and the avoidance of ethical language among Australian gas pipeline engineers. We identify the domains in which they saw ethics as operating, including public safety, environmental protection, sustainability, commercial probity, and modern slavery. Particularly with respect to ethical matters that bear on public safety, in the course of design and operational activities, engineers principally advocated for action using technical language, avoiding reference to potential consequences such (...) as death or destruction of property. Within their organizations, they saw themselves as occupying a technical “line of defense”. We argue that this focus on technical language is action-oriented. Ethics tells practitioners of unacceptable outcomes, but it does not guide them in what they need to do to avoid that outcome in practice. We observed some cases where engineers had not made the connection between their role and ethics in the sense of public safety. We argue that muteness on ethical matters can obscure the nature of the risk where technical advice is being taken on by non-technical actors, and where technical actors themselves do not have a clear sense of their public safety obligations. (shrink)

A treatise on rhetorical tropes is attributed in manuscripts to the first-century grammarian Trypho: this article considers for the first time a fifteenth-century manuscript of this work (Leiden, BPG 74G), which turns out to be the only complete witness of its hitherto unknown original version; this version (very fragmentarily transmitted by a fifth-century papyrus scrap) is also partly found in another fifteenth-century manuscript now kept in Olomouc (M 79). Four interesting poetic fragments are quoted in this newly discovered, fuller version (...) of Ps.-Trypho'sDe Tropis: some lines from Callimachus’ fifth and fourthIambi(23–9 and 90–2 respectively: a radically new light is shed by this new witness on the parallel papyrus fragments carrying Callimachus’ text), an epigram dubiously attributed to Simonides (FGE44 Page, probably to be dated to the Hellenistic period: the text can be now restored to its complete form), and some enigmatic lines of “Hesiod”'sWedding of Keyx, which the new witness finally makes fully understandable. (shrink)

The article argues that AI can enhance the measurement and implementation of democratic processes within political parties, known as Intra-Party Democracy (IPD). It identifies the limitations of traditional methods for measuring IPD, which often rely on formal parameters, self-reported data, and tools like surveys. Such limitations lead to the collection of partial data, rare updates, and significant demands on resources. To address these issues, the article suggests that specific data management and Machine Learning (ML) techniques, such as natural language processing (...) and sentiment analysis, can improve the measurement (ML about) and practice (ML for) of IPD. The article concludes by considering some of the principal risks of ML for IPD, including concerns over data privacy, the potential for manipulation, and the dangers of overreliance on technology. (shrink)

When we are fatigued, we feel that our performance is worse than when we are fresh. Yet, for over 100 years, researchers have been unable to identify an objective, behavioral measure that covaries with the subjective experience of fatigue. Previous work suggests that the metrics of signal detection theory —response bias and perceptual certainty —may change as a function of fatigue, but no work has yet been done to examine whether these metrics covary with fatigue. Here, we investigated cognitive fatigue (...) using SDT. We induced fatigue through repetitive performance of the n-back working memory task, while functional magnetic resonance imaging data was acquired. We also assessed cognitive fatigue at intervals throughout. This enabled us to assess not only whether criterion and d’ covary with cognitive fatigue but also whether similar patterns of brain activation underlie cognitive fatigue and SDT measures. Our results show that both criterion and d’ were correlated with changes in cognitive fatigue: as fatigue increased, subjects became more conservative in their response bias and their perceptual certainty declined. Furthermore, activation in the striatum of the basal ganglia was also related to cognitive fatigue, criterion, and d’. These results suggest that SDT measures represent an objective measure of cognitive fatigue. Additionally, the overlap and difference in the fMRI results between cognitive fatigue and SDT measures indicate that these measures are related while also separate. In sum, we show the relevance of SDT measures in the understanding of fatigue, thus providing researchers with a new set of tools with which to better understand the nature and consequences of cognitive fatigue. (shrink)

Le Musée d’Anatomie humaine de l’Université de Turin , créé en 1739, fut transféré en 1898 dans le bâtiment où il se trouve actuellement, dans des locaux caractérisés par une architecture monumentale. Il a été récemment restauré dans le but de retrouver l’atmosphère de l’époque, et en même temps, le projet à fait l’objet d’une réflexion attentive sur les possibilités de le transformer de musée savant en musée communiquant. Le Musée d’Anatomie humaine fait partie d’un pôle muséal turinois en développement (...) qui comprend actuellement, en outre, le Musée des Fruits et le Musée d’Anthropologie criminelle « Cesare Lombroso ». Ces trois musées, qui accueillent presque 200 visiteurs par jour, offrent un bel aperçu du positivisme scientifique, qui fut particulièrement important à Turin.The University of Turin’s Museum of Human Anatomy, founded in 1739, was transferred in 1898 to the building it still occupies, which is notable for its monumental style of architecture. It was recently restored to the atmosphere of its day, but during the project, careful consideration was given to possibilities for transforming this scholarly establishment into a communicational museum. It is one of those included in Turin’s new museums project, alongside the Museum of Fruit and the Cesare Lombroso Museum of Criminal Anthropology. All three museums, which have about 200 visitors a day, offer valuable insights into scientific positivism, which was particularly influential in Turin. (shrink)

The starting point for my reading of the exchanges between Marx and Balzac is the repetition in The Eighteenth Brumaire of a striking image employed in Colonel Chabert to represent the force of ideology as experienced by a man forcibly set outside the conventions it endorses. Balzac first: “The social and judicial world weighted on his breast like a nightmare.”3 Marx’s appropriation occurs in a much-quoted meditation on the past as impediment to the future.Men make their own history, but they (...) do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the brains of the living.4What is the weight of an nightmare, and why do Balzac and Marx agree that invoking it is a valid means to express humanity’s relation to its history?5 4. Marx, The Eighteenth Brumaire of Louis Bonaparte, p. 15; my emphasis. Further references to this work, abbreviated EB, will be included in the text.5. In French and German: “Le monde social et judiciare lui pesait sur la poitrine comme un cauchemar”; “Die Tradition aller toten Geschlechter lastet wie ein Alp auf dem Gehirne der Lebenden.” This strikes me as so obvious a borrowing that I have to wonder why it does not seem to be generally known. On contributing factor may be that the standard French translation of The Eighteenth Burmaire gives a fanciful version of the sentence in Marx: “La tradition de toutes les generations mortes pèse d’un poids très lourd sur le cerveau des vivants”. Does this poids très lourd come from a misreading of ein Alp as eine Alp? Sandry Petrey is professor of French and comparative literature at the State University of New York at Stony Brook. The author of History in the Text: Quatrevingt-Treize and the French Revolution, he is completing a book entitled Realism and Revolution. (shrink)